Paper
Timbre-Trap: A Low-Resource Framework for Instrument-Agnostic Music Transcription
In recent years, research on music transcription has focused mainly on architecture design and instrument-specific data acquisition. With the lack of availability of diverse datasets, progress is often limited to solo-instrument tasks such as piano transcription. Several works have explored multi-instrument transcription as a means to bolster the performance of models on low-resource tasks, but these methods face the · Authors: Frank Cwitkowitz, Kin Wai Cheuk, Woosung Choi, Marco A. Martínez-Ramírez, Keisuke Toyama, Wei-Hsiang Liao… · Published 2023-09-27 · arXiv:2309.15717
- Published
- 2023-09-27
- Authors
- 7
- arXiv
- 2309.15717
- Category
- eess.AS
Abstract
arXiv:2309.15717
Frank Cwitkowitz, Kin Wai Cheuk, Woosung Choi, Marco A. Martínez-Ramírez, Keisuke Toyama, Wei-Hsiang Liao, Yuki Mitsufuji
In recent years, research on music transcription has focused mainly on architecture design and instrument-specific data acquisition. With the lack of availability of diverse datasets, progress is often limited to solo-instrument tasks such as piano transcription. Several works have explored multi-instrument transcription as a means to bolster the performance of models on low-resource tasks, but these methods face the same data availability issues. We propose Timbre-Trap, a novel framework which unifies music transcription and audio reconstruction by exploiting the strong separability between pitch and timbre. We train a single autoencoder to simultaneously estimate pitch salience and reconstruct complex spectral coefficients, selecting between either output during the decoding stage via a simple switch mechanism. In this way, the model learns to produce coefficients corresponding to timbre-less audio, which can be interpreted as pitch salience. We demonstrate that the framework leads to performance comparable to state-of-the-art instrument-agnostic transcription methods, while only requiring a small amount of annotated data.